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SG Vasudev s collages find their way to new Bengaluru artshow

Clippings from newspapers and magazines. Cardboard. Myriad colours and textures. Sepia-tinged paper. Pages from his artistic biography… All this and more seamlessly merge deep undertones of uncertainty with a sense of joie de vivre as part of octogenarian artist SG Vasudev’s recent exhibition of collages, ‘Montage of Memories’, at Gallery Sumukha, Bengaluru. “Almost a year-and-a-half ago, Premilla Baid of the Sumukha Gallery told me that she would like to celebrate 25 years of the gallery in 2021 and that one of the events should be my exhibition. I happily accepted the offer,” he says. The pandemic meant that Vasudev could not go to his large studio or his farm studio (at an hour’s drive from the city). Not to give up, he started doing some drawings at home and began pasting some glazed silver and gold colour wedding invitations on to the drawings.

Tamil naduPremilla baidGirish karnad hayavadanaBindu gopal raoVamsha vrikshaIndia lalit kala akademi national award winnerGovernment college of fine artsBindu gopalGallery sumukhaSumukha galleryGovernment collegeFine artsGirish karnadSg vasudevBengaluru artshowதமிழ் நாடு

What is the future of India′s #MeToo movement? | Asia| An in-depth look at news from across the continent | DW

Defamation ruling a victory for women’s rights in India The aftermath of #MeToo Like in other places across the world, the #MeToo movement generated discussion in India about sexual harassment within the workplace, particularly in the entertainment and film industries. As an immediate aftereffect, more women were encouraged to speak up against their harassers, both publicly and anonymously. Filmmaker Vinta Nanda had spoken up against veteran Bollywood actor Alok Nath, whom she accused of rape. Before the movement, I was afraid to move because I felt isolated and ostracized, she told DW. But now, she added, I know I am not alone.

New delhiTanushree duttaNana patekarPriya ramaniAlok nathRaya sarkarRajkumar hiraniSandhya mridulSuhel sethRukmini senVinta nandaSona mohapatraGirish karnadAmbedkar universityTv artiste associationGender rights

Sylvia : This experimental debut uses prose and poetry to present an enigmatic relationship

‘Sylvia’: This experimental debut uses prose and poetry to present an enigmatic relationship An excerpt from ‘Sylvia: Distant Avuncular Ends’, by Maithreyi Karnoor. Author Maithreyi Karnoor. When Lakshmi arrived in Bangalore on the Velankanni express, he was greeted by his cousin and fellow “Sandalwood” denizen of a roommate. They were men who took their gym seriously. They were also pleasant and warm and welcomed Lakshmi with yo-bro affable punches and hugs. When Lakshmi followed them to their two-room – one for cooking and keeping their things in and the other, smaller one to unroll mattresses and sleep in – home in a part of the city that was sandwiched between a slum and a vegetarian middle-class neighbourhood, it dawned on Lakshmi that his cousin was still a struggler in the industry. He and his friend were stuntmen, in fact. Their routine consisted of working out in the gym several hours a day, cooking and eating chicken and heading off to jump off

West bengalGirish karnadDurga parameshwariRanga shankaraSanskritised kannadaDistant avuncularBooks and ideasMaithreyi karnoorDistant avuncular endsமேற்கு பெங்கல்கிரீஷ் கர்நத்துர்கா பரமேஷ்வாரிரங்கா ஷங்கரபுத்தகங்கள் மற்றும் யோசனைகள்

Kamal Swaroop pays tribute to Mani Kaul: A visionary and ahead of his time

This year marks the 50th anniversary of Mani Kaul’s Ashad Ka Ek Din, undoubtedly one of the most radical films from the Indian New Wave movement. Mani’s second feature still retains its austere power, and along with his Uski Roti, Duvidha, Dhrupad and Mati Manas, is a perfect showcase of his economic style and painterly sophistication. The historical romance, based on Mohan Rakesh’s acclaimed play, unspools in three acts. Mallika (Rekha Sabnis) is in love with the poet-playwright Kalidas (Arun Khopkar). Kalidas has been conferred a state honour, but refuses the king’s offer to travel to the capital Ujjayini. Mallika pushes Kalidas to leave for Ujjayini, but deep inside feels a tinge of sadness at the thought of her lover’s imminent departure.

Taj mahalUttar pradeshHimachal pradeshEl salvadorGurvinder singh chauthi kootKalidas arun khopkarLalita krishnaVijay tendulkarAnita kanwarRitwik ghatakPrantik basuRichard attenborough gandhiAndre bretonSaeed mirzaKumar shahaniSamit dutta

The common man hums a song in his heart, he has no knowledge of the melody, he is unaware of the ragas but singing is in his breath | आम आदमी मन ही मन गीत गुनगुनाता है, उसे सुर ताल का ज्ञान नहीं, वह रागों से अनजान है परंतु गायन श्वास में बसा है

The common man hums a song in his heart, he has no knowledge of the melody, he is unaware of the ragas but singing is in his breath | आम आदमी मन ही मन गीत गुनगुनाता है, उसे सुर ताल का ज्ञान नहीं, वह रागों से अनजान है परंतु गायन श्वास में बसा है
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Perifereia attikisMadhya pradeshRose juhiBharat bhushanBhimsen joshiLata mangeshkarAmitabh bachchanManna deyGirish karnadKama sutraPost ujjainGreek theatreSpring devRitu springRashtrapati bhavanMughal garden