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10 Extraordinary Acts Of Compassion In Wartime

10 Extraordinary Acts Of Compassion In Wartime Regular readers of Listverse’s sister site will already be familiar with the story of Henry Tandey, a World War I British soldier who honorably decided not to fire on a wounded enemy soldier only for that soldier to turn out to be a young Adolf Hitler. But the tale’s twist shouldn’t be allowed to obscure just how noble Tandey’s actions were. Compassion is a quality that is usually hard to come by in times of war. It’s even harder to show it to the enemy. After all, how can you be kind to someone who might actively have tried to kill you? Maybe that’s why compassion is truly a quality we can all admire.

The Mauritanian : Film Review

‘The Mauritanian’: Film Review David Rooney The Mauritanian, based on the best-selling memoir Guantánamo Diary by Mohamedou Ould Slahi, who spent 14 years incarcerated at the U.S. Naval Base in Cuba without ever being charged with a crime. Macdonald is an exceptional documentary maker ( Touching the Void) with a more uneven track record in narrative features ( The Last King of Scotland is probably strongest among them), and this legal procedural remains strangely flat, despite its star power and a gripping central performance from Tahar Rahim as Slahi. An unimpeachably well-intentioned treatment of a dark chapter in American justice, it’s methodical and serious-minded to a fault.

The Mauritanian : Film Review | Hollywood Reporter

A politically charged legal thriller with only an intermittent pulse. TWITTER 2/19/2021 Jodie Foster and Benedict Cumberbatch star as lawyers on opposing sides of a habeas corpus case in Kevin Macdonald s drama based on the memoir of a longtime Guantánamo Bay detainee, played by Tahar Rahim. Kevin Macdonald has sensational nonfiction material in The Mauritanian, based on the best-selling memoir Guantánamo Diary by Mohamedou Ould Slahi, who spent 14 years incarcerated at the U.S. Naval Base in Cuba without ever being charged with a crime. Macdonald is an exceptional documentary maker ( Touching the Void) with a more uneven track record in narrative features (

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