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The week in TV: The Pursuit of Love; Fargo; Three Families; The Underground Railroad; Motherland

The Pursuit of Love (BBC One) | iPlayer Three Families (BBC One) | iPlayer The Underground Railroad (Amazon) Motherland (BBC Two) | iPlayer Sunday nights do appear to be dear to BBC schedulers: it’s the jewel in the weekly crown, and it’s just a shame that, correspondingly, there has to be a gangrenous thorn in the hoof, which throughout lockdown has been Saturday evenings. But right after THAT Line of Duty, to get the blistering, gleeful watch that is The Pursuit of Love … that’s the sign of a planner pulling out the heavy stops on the organ. It really is, in the language of Nancy Mitford, most awfully well done. Emily Mortimer’s adaptation manages to tell the bones of the story afresh, with spiffy modern renewals, while remaining immensely tender to the paradox at the heart of Linda, a tween-the-wars rosebud with everything in the world except education or any idea of what she, ever, wants, or stands for: truly writ large the Mitfordian creed of do anything as lo

CHRISTOPHER STEVENS: The young mum-to-be treated like a criminal for having a dying foetus

Rating: No words in any drama could be more chilling than the comment by a nurse to a mum-to-be during an ultrasound scan: ‘There are a few wee things I’m not happy about.’ Those ‘few wee things’ were a death sentence for the unborn baby of first-time parents Hannah and Jonathan (Amy James-Kelly and Colin Morgan), in Three Families (BBC1). This was a true-life story, set in Belfast, about six years ago. The pregnancy was 20 weeks along before the fatal foetal abnormality was spotted, a condition where the baby’s lungs had no room to grow. If she was not stillborn, she would suffocate within hours of birth a horrific prognosis.

Three Families, BBC1, review: Hard hitting and difficult to watch for all the right reasons

Three Families, BBC1, review: Hard hitting and difficult to watch for all the right reasons The i 3 days ago Emily Baker © Provided by The i Three Families (Photo: BBC/Studio Lambert/Steffan Hill) It might seem strange to praise a drama for its downbeat tone and general lack of excitement. But then Three Familieswasn’t intended as throwaway entertainment. Gwyneth Hughes’ chronicling of the suffering inflected on generations of women by Northern Ireland’s oppressive abortion laws was, by design, hard-hitting and difficult to watch. The second of two episodes avoided sensationalising the experiences of Hannah, Theresa and Rosie. All three were based on real women who bore the brunt of Northern Ireland’s legacy of social conservatism until the legalisation around terminations was liberalised by Westminster in 2019.

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