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Beryl Cook, queer history and Dolly Parton: gallery director Joe Scotland on his cultural influences

Jo Spence and Terry Dennett’s series, Remodelling Photo History, from 1982. It is such a smart, funny and almost cutting series. I was fortunate to be a part of a small team working on Spence’s first UK retrospective at Studio Voltaire and SPACE in 2012, 20 years after her death. She has been such an important figure in both my professional and personal life. If you are not familiar with her practice, I would urge you to be. Which cultural experience changed the way you see the world? I was 15 when Dennis Potter’s Lipstick on Your Collar appeared on Channel 4 in 1993. It was full of desire, lip-syncing and mundanity. The theme of conflict between the old order and the new post-war generation spoke to my teenage self. This led me to Potter’s other television masterpieces,

On radio, Dante and David Bowie became our unexpected guides through lockdown loneliness

On radio, Dante and David Bowie became our unexpected guides through lockdown loneliness This week, Katya Adler held a modern lens to Dante for Radio 4, while Radio 2 and 6 Music marked five years since the death of David Bowie Dante s Inferno, The Circle of the Thieves, by William Blake Credit: Alamy  Abandon hope, all ye who enter here. Let’s hope that’s not going to be the official motto for 2021. This year does, however, mark seven centuries since the death of Dante Alighieri, the poet of the Divine Comedy. Radio 4 has chosen to celebrate with a slightly bizarre idea: for

Here come Jay Gatsby and Nick Carraway - they re anyone s now

Here come Jay Gatsby and Nick Carraway - they re anyone s now We’re sorry, this service is currently unavailable. Please try again later. Dismiss Here come Jay Gatsby and Nick Carraway - they re anyone s now Normal text size Advertisement On January 1 each year a number of works – books, films, music – come out of copyright and enter the public domain. The big one this year – at least as far as the US is concerned – is one of the great novels of the 20th century, F. Scott Fitzgerald s The Great Gatsby. In the US they term January 1 Public Domain Day. Credit: First published in 1925,

Book World: What does climate change look like? Twelve photographers force us to confront reality

Book World: What does climate change look like? Twelve photographers force us to confront reality. Stephanie Merry, The Washington Post Jan. 7, 2021 FacebookTwitterEmail Edited by Geoff Blackwell and Ruth Hobday Chronicle. 160 pp. $45 - - - Cloistered in our homes, as many of us are, and focused on a global health crisis amid political chaos, it s easy to lose sight of another catastrophe: climate change. And yet, according to the annually distressing emissions gap report, released by the United Nations in early December, humans need to take a hard look at our choices - including our energy sources and transportation methods - if we want to avoid inflaming a situation that has already caused unprecedented wildfires, hurricanes, extinctions and droughts.

Public Domain Day NDQ Style

January 7, 2021 Bill Caraher |  This year’s Public Domain Day was pretty exciting. It featured, among other things, F. Scott Fitzgerald’s The Great Gatsby which was published in 1925 and therefore entered the public domain on January 1. Hemingway’s  In Our Time, John Dos Passos’s Manhattan Transfer and Edith Wharton’s This annual injection of new material into the public domain impacts North Dakota Quarterly as well which produced four issues in 1925 that are now free from any copyright restrictions. This is particularly significant for the Quarterly because we don’t have individual author agreements dating to those years so have only been able to release the material via rather more restrictive open, but “no derivatives” licenses covering entire volumes. You can check them out here in the Archive.

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