West Southern Pines Community Members Urge Council To Actively Support School Bid thepilot.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thepilot.com Daily Mail and Mail on Sunday newspapers.
The American View: Why the Scam Calls Need to Come from Inside the House
The American View: Why the Scam Calls Need to Come from Inside the House
I enjoy phishing. There’s something richly satisfying about crafting a fake email that can trick an unsuspecting victim into infecting their company with ransomware, all thanks to a clever arrangement of colour, text weighting, graphics, and misdirection. It’s like a magic trick carried out entirely through correspondence. It’s artistic expression with an immediate payoff … I don’t have to wait for a gallery exhibition to gage the public’s appreciation of my work because I get immediate feedback in the form of compromised PCs and howls of outrage. It’s brilliant fun.
Small Screens, Big Scares: 10 More Terrifying TV Movies
Now, Chad Collins compiles another list of terrifying made-for-TV movies! Did your favorite make the list? By Chad Collins
In June of last year, I highlighted my
favorite made-for-television horror movies. The response was somewhat divisive, in large part on account of the perceived snubs (sorry,
Salem’s Lot fans). It’s curious, though, because made-for-TV horror movies are, in a sense, a subgenre of their own. Shades of Aaron-Spelling’s heyday, even among those titles he did not produce, permeate almost every entry in the canon of televised scare fests. Despite the diversity– some muted and washed-out, some vibrant and lively, others adapted from seminal pieces of genre fiction– there’s something linking them all together.
Photo 12/Alamy Stock Photo
The film follows college spring breakers to the island home of Muffy St. John (played by Valley Girl star Deborah Foreman) for a fun weekend, only to see them turn up as corpses one by one.
A decade before
1986 s
April Fool s Day was produced by Frank Mancuso Jr., son of then-Paramount chairman Frank Mancuso Sr. Together, father and son had produced five sequels to 1980 s sleeper hit
Friday the 13th. Burned out on Jason, Mancuso Jr. wanted to try something different for his first solo foray. He selected a script by Danilo Bach, who had achieved massive success for Paramount writing 1984 s
The Lost Ending Of APRIL FOOL S DAY fangoria.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from fangoria.com Daily Mail and Mail on Sunday newspapers.