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Toronto Star’s Heather Mallick described them as “thoughtless, ahistorical and self-congratulatory” and proclaimed that we must stop trusting photography. When data scientist Samuel Goree tested DeOldify, an AI colourization app, to convert a greyscale copy of Alfred T. Palmer’s 1943 photograph Operating a hand drill at Vultee Nashville, the result produced an image in which the black female subject’s skin was lighter. Interventions like these are not unique among the history of photographic manipulation the Cottingley Fairies photographs taken by Elsie Wright and Frances Griffiths in 1917 are a prime example. But alongside sophisticated internet tools like deepfakes (where a person in an existing image or video is replaced with someone else), the use of algorithms to alter photographs has provoked renewed anxiety about the authenticity of photography in the digital era.

United statesPhnom penhSamuel goreeMatt loughreyDavid kirbyRoger ebertHeather mallickLuke mckernanFrances griffithsGene siskelAlfredt palmerMarina amaralPeter jacksonYuriko saitoKelsie wrightMcgill library unsplash