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Toronto Star’s Heather Mallick described them as “thoughtless, ahistorical and self-congratulatory” and proclaimed that we must stop trusting photography.
When data scientist Samuel Goree tested DeOldify, an AI colourization app, to convert a greyscale copy of Alfred T. Palmer’s 1943 photograph
Operating a hand drill at Vultee Nashville, the result produced an image in which the black female subject’s skin was lighter.
Interventions like these are not unique among the history of photographic manipulation the Cottingley Fairies photographs taken by Elsie Wright and Frances Griffiths in 1917 are a prime example. But alongside sophisticated internet tools like deepfakes (where a person in an existing image or video is replaced with someone else), the use of algorithms to alter photographs has provoked renewed anxiety about the authenticity of photography in the digital era.
The controversial history of colourizing black-and-white photos
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Technicians on the ramp at North American Aviation s Inglewood, California plant, preparing a batch of P-51 Mustangs for delivery. AirCorps Aviation is presently working through a treasure trove of original NAA drawings, cataloguing aviation history for future generations. (Alfred T. Palmer photo via U.S. Library of Congress)
It has been about a year since we reported on the major revelation that many thousand original North American Aviation manufacturing drawings survived destruction during the 1980s because one of their employees, Ken Jungeberg, saved them from incineration. Furthermore, as we also discussed last year, AirCorps Aviation worked out a deal with Jungeberg in 2019 to secure these historic artifacts for their longterm preservation. Ever since their arrival at AirCorps last winter, Ester Aube, the company’s manager for their technical documentation division, AirCorps Library, has been working diligently to preserve and catalogue this massive archive. With so many