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Whenever we have a chance, we take it – An interview with photographer Mayco Naing

International IDEA spoke to artist and photographer Mayco Naing on the sidelines of the Australian National University (ANU) Myanmar Update 2023, where she launched her exhibition, “How to quantify FEAR”. This interview has been edited for length. Billie Phillips: Mayco Naing, it's a pleasure to have you here at the ANU exhibiting your and your colleagues' stunning work. What

Photography Ethics Centre launches campaign for ethics

The Photography Ethics Centre has launched a campaign to encourage photographers, editors, curators, organisations, and other professionals in the photography industry to write and publish Statements of Ethics.

Classes Delve into Photography Ethics - Feature Shoot

Classes Delve into Photography Ethics - Feature Shoot
featureshoot.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from featureshoot.com Daily Mail and Mail on Sunday newspapers.

In Delhi, Dynamic Images and Shared Solidarities

Building bridges: Myanmar s artists and their resonance in India

Updated: April 30, 2021 13:40 IST They survived repression, flourished and continued to address injustices in more hopeful times. And miracles do happen Share Article AAA Exhibition view of ‘A Show of Hands’ by Htein Lin at Goethe Villa, July-August, 2015. (Photo from a ‘PIX’ issue, titled ‘Inclusion’, 2017).   | Photo Credit: Mark Fenn / Al-Jazeera They survived repression, flourished and continued to address injustices in more hopeful times. And miracles do happen Who can stop you? The bright stars did shine once But who can stop you? Today… today… change something Today is for everyone! My partner recalls her exhilaration when she saw these words projected on the Town Hall in Yangon in December 2016 as part of a multi-disciplinary arts festival, Mingalabar! At once straddling the contours of a shifting urbanism tradition, indigineity, cosmopolitanism Yangon was on the cusp of change.

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