pop english swedish something. no recordings of oh, shame! but to get a kick out of that, they had to be a really good malady. whereas the songwriter today, he has got all his stuff melody. he has his computer and all of these wonderful sounds and when he or she is composing something, it sounds wonderful from the word go. and i think sometimes those song writers might become a little lazy, just to give up before the melody is perfect, just because it sounds so good. i think that s the advice i give to songwriters today, don t tell me you have written 100 songs this year. tell me you have written three really, really good ones. written three really, really good ones- written three really, really good ones. this is going to sound weird
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