pop english swedish something. no recordings of oh, shame! but to get a kick out of that, they had to be a really good malady. whereas the songwriter today, he has got all his stuff melody. he has his computer and all of these wonderful sounds and when he or she is composing something, it sounds wonderful from the word go. and i think sometimes those song writers might become a little lazy, just to give up before the melody is perfect, just because it sounds so good. i think that s the advice i give to songwriters today, don t tell me you have written 100 songs this year. tell me you have written three really, really good ones. written three really, really good ones- written three really, really good ones. this is going to sound weird
when everyone has had a few too many. chris fox doing our laundry, which was nice! very kind but i think he may have added red wine to the tablecloth. i would not have wasted that. on the other side of town, paul carter has been to meet a very important guest. when it comes to musical superstars, they don t get much bigger than bjorn ulvaeus of abba. he was talking to us about a new software solution for session musicians. more on that in an upcoming episode, but i took the opportunity to ask his thoughts on tech and music. we see technology evolving music over the years. i wondered what your reflections on technology being used in modern music? you know, when benny andersson and i in the 70s, we used to be in one little room, in a cubicle with a stand up piano and an acoustic guitar and two guys singing some kind of gibberish. pop english, swedish, something. no recordings of that.
pop english swedish something. no recordings of that. 0h, shame! but to get a kick out of that, they had to be a really good melody. whereas the songwriter today, he has got all his stuff, he has his computer and all of these wonderful sounds and when he or she is composing something, it sounds wonderful from the word go. and i think sometimes those song writers might become a little lazy, just to give up before the melody is perfect, just because it sounds so good. i think that s the advice i give to songwriters today, don t tell me you have written 100 songs this year. tell me you have written three really, really good ones.
he was talking to us about a new software solution. more on that in an upcoming episode, but i took the opportunity to ask his opinion on tech and music. we see technology evolving music over the years. i wondered what your reflections on technology being used in modern music? you know, when benny andersson and i in the 705, we used to be in one little room, in a cubicle with a stand up piano and an acoustic guitar and two guys singing some kind of gibberish. pop english, swedish, something. no recordings of that. 0h, shame! but to get a kick out of that, they had to be a really good melody. whereas the songwriter today, he has got all his stuff, he has his computer and all of these wonderful sounds and when he or she is composing something, it sounds
chris fox doing our laundry which was nice! very kind but i think you may have added red wine to the tablecloth. i would not have wasted that. 0n the other side of town, paul carter has been to meet a very important guest. when it comes to musical superstars, don t get much bigger than bjorn ulvaeus of abba. he was talking to us about a new software solution. more on that in an upcoming episode, of but i took the opportunity to ask his opinion on tech and music. we see technology evolving music over the years. i wondered what your reflections on technology being used in modern music? you know, when benny andersson and i in the 70s, we used to be in one little room, in a cubicle with a stand up piano and an acoustic guitar and two guys singing some kind of gibberish. pop english swedish something.