To the streets of old city philadelphia and imagine what life was like under british rule. One of the big agendas of the event is to present the fall of 1777 in a complicated way to show that for many of the people that remained in the city that winter this was an occupation and maybe a liberation from many of their perspectives and they wrote about in the period being liberated from the ash trar congress which is maybe something we can all aspire to some day. So we do this with living history programming in part because people come to museums to learn in all different ways to encounter the real things of history to have a Human Experience to connect with it and one way we bring it to life is with living history programming with the new Theatrical Program where richard storms into the room with guns blazing and the spoilers at the end of his life, but he maybe doesnt know that yet. We also do the larger living history events and its a pleasure to introduce these set of speakers because
Some of you exposed your own British Occupation, or perhaps liberation in the perspective of many. Its our third year in a row doing sort of what we call flagship living history event. We place about 70 costumed interpreters out on to the streets of old city philadelphia and imagine what life was like under british rule. One of the big agendas of the event is to present the fall of 1777 in a complicated way to show that for many of the people that remained in the city that winter this was an occupation and maybe a liberation from many of their perspectives and they wrote about in the period being liberated from the tire ran cat you certain asians of a tyrannical congress, which is maybe something we can all aspire to some day. So we do this with living history programming in part because people come to museums to learn in all different ways to encounter the real things of history to have a Human Experience to connect with it and one way we bring it to life is with living history progra
Mean. I would like to believe they care and. John says moving their bodies in order to move. Without an open atheist hymn book enough aso in colorful costumes in colombia or in mosques on the caribbean coast dunce is universal. And with a contemporary Dance Company damaged goods choreographer makes do it is known for creating productions that challenge the status quo. And not afraid to work with pain in the darkness or things that are. Unconscious. But im more thinking for a kind of transformation or transportation or things are moving things still you know bringing things up so they can kind of. Open up. Contemporary dance pushes emotional physical and social limits it makes a political statement without using anywhere its just great physical exertion whats moving the dance world these days we set off to find out starting interest in. American choreographer make steel with invited experts from around the globe to dressed in to attend Dance Congress or tons congress 2019 some 500 peopl
Interpreters out on the street of old city philadelphia, and imagine what life was like under british rule. One of the big agendas of this event is to present the fall of 1777 in a complicated way. To show that for many of the people who remain in the city that winter, this was an occupation, but maybe it was a liberation from many in their perspective. They read about in the period being liberated from the tyrannical usurpation of an arbitrary congress, which is maybe something we could all aspire to. laughs so we do this with Living History Program in part because people come to museums to learn in all different ways, to encounter the real things of history, to have a Human Experience and connect with it, and one way that we bring it to life is with Living History Programming, with first person programming like some of you might have witnessed in our new theatrical programme where richard st. George stormed into the room, guns blazing in the spring of perhaps 1798, at the end of his
A fish in brooklyn or faso in colorful costumes in colombia or in mosques on the caribbean coast duns is universal. And with a contemporary Dance Company damaged goods choreography makes do what is known for creating productions that challenge the status quo. And not afraid to work with pain in the art darkness or things that are. Uncomfortable but a more to give her kind of transformation or transportation or things are moving things to kill you know bringing things up so they can kind of. Open up. Contemporary dance pushes emotional physical and social limits it makes a political statement without using any were just great physical exertion whats moving the dance world these days we set off to find out starting interest. American choreographer meg stuart invited experts from around the globe to dressed in to attend Dance Congress or tons contest 2019 some 500 people from the world of dance came to share experiences and discuss new ideas is one. That. Is really important it was great