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29-year-old Chinese hawker selling mala noodles in Singapore after mum s death: Focus on my food, not my story

April 24, 2021 AsiaOne With Singapore s hawker culture officially added to the Unesco Representative List of the Intangible Cultural Heritage of Humanity, AsiaOne takes a look at young hawkers who snub the corporate rat race to slave over stoves instead. It s usually a case of the more publicity, the better , when it comes to media attention in Singapore s competitive F&B landscape. So we were surprised when our request for an interview with office worker-turned-hawker Wei Liang Chen was met with some trepidation. Right off the bat during our interview, the 29-year-old Jiangsu native hesitantly asked if we could focus less on his personal backstory and more about his food.

Wet Season movie review & film summary (2021)

Torrential rain soaks director Anthony Chen’s “Wet Season” with a melancholic yearning for warmth. As water pours outside, the interpersonal storms of two solitary people also rage on. Though it s a facile metaphor, its desired effect mostly pays off. For his new subdued drama, the Singaporean director reteams with Malaysian actress Yann Yann Yeo and local young star Koh Jia Ler. Chen’s 2013 debut “Ilo Ilo,” featured Yeo as a pregnant mother so overwhelmed with work that a Filipino housekeeper becomes the primary caretaker of her 10-year-old son (Jia Ler). Similar themes around substitute motherhood and the precocious minds of young males resurface in this follow-up but with added maturity. 

Boss della mafia tradito dal pranzo di Pasqua: torna dal Brasile e viene arrestato

Boss della mafia tradito dal pranzo di Pasqua: torna dal Brasile e viene arrestato
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Hard State, Soft City of Singapore

Hard State, Soft City of Singapore Hard State, Soft City of Singapore Hard State, Soft City of Singapore Search within full text Print publication year: 2020 Hard State, Soft City of Singapore Your name Who would you like to send this to Optional message Book description With Singapore serving as the subject of exploration, the volume explores the purview of imaginative representations of the city. Alongside the physical structures and associated practices that make up our lived environment, and the conceptualised space engineered into material form by bureaucrats, experts and commercial interests, a perceptual layer of space is conjured out of people s everyday life experiences. While such imaginative projections may not be as tangible as its functional designations, they are nonetheless equally vital and palpable. The richness of its inhabitants memories, aspirations and meaningful interpretations challenges the reduction of Singapore as a Generic City. Taking t

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