An die ferne Geliebte, Op. 98, Schumann’s
Liederkries, Op. 39, and Beethoven’s
Aus Goethes Faust, Op. 75, No. 3. Register and view here until April 18.
8 pm ET: Tippet Rise Art Center presents
Spring Festival. For the first day of Tippet Rise’s Spring Festival, two films have been captured at the DiMenna Center. The first features violinist Katie Hyun founding member of the Amphion String Quartet performing Vytautas Barkauskas’s Partita for violin solo. For the second film, Tippet Rise’s Artistic Advisor Pedja Mužijevic performs in a program titled
Is It Real (A Loving Homage to Surrealism), which includes music and spoken word by Satie, Schwitters, and Antheil. At 7:30 pm ET there will be a “backstage” gathering via Zoom, giving artists the opportunity to discuss their performances, followed by the release of the films. View here.
South Bend Symphony Orchestra principal oboist Jennet Ingle tests one of the reeds she makes for herself and to sell online as part of her side business in September. On Saturday, she performs as the featured soloist with the SBSO in its first concert with a live audience in more than a year.
Tribune File Photo/MICHAEL CATERINA
Submitted photo
REGION ArtsFarmington invites the public to join us online for Keyboard Festival, a three-performance virtual series featuring the following artists:
• April 10 at 7:30 – harpsichord, Rebecca Pechefsky, affiliated with Brooklyn Baro- que
• April 17 at 7:30 – fortepiano, David Kim, Associate Professor of Music at Whitman College
• April 24 at 7:30 – pianoforte, George Lopez, Beckwith Artist-in-Residence at Bowdoin College
Each concert will be in the form of a lecture/recital performed on the initial presentation date with viewing available for 30 days. Sign up now for the whole series or individual concerts. Tickets can be purchased at https://www.artsfarmington.org – $10 per household for an individual concert, or $25 for the series.
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from the magazine
“The Most Beautiful Sound Next to Silence” ECM, an independent German music label, has thrived for 50 years by breaking all the rules.
Arts and Culture
Jazz is often called “America’s classical music,” but a 77-year-old man in Germany has spent most of his life debunking that claim, with formidable success.
Few in the general public recognize the name Manfred Eicher. In the jazz world, however, he is regarded with reverence. His record label ECM, based in Munich, has transformed the landscape of contemporary jazz over the last half-century, and proves it year after year by winning polls, earning awards and accolades, and perhaps most surprising making money with music that other labels wouldn’t consider releasing.