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After a two-year hiatus, Thanyaporn Khongkrathok, 17, and her friends dusted off their kaleidoscopic bird-like costumes. When the curtain was raised, they danced gracefully to pay respect to their ancestors. Thanyaporn has practised nora, the southern performance art, from an early age because she wants to preserve it.
After a two-year hiatus, Thanyaporn Khongkrathok, 17, and her friends dusted off their kaleidoscopic bird-like costumes. When the curtain was raised, they danced gracefully to pay respect to their ancestors. Thanyaporn has practised nora, the southern performance art, from an early age because she wants to preserve it.
Despite a two-year hiatus, Nutchanat La-ongsri commanded a stage with unwavering power. Donning a large headpiece, she pulled on a white costume with a red strap tied on her upper body. Her back rose up like a bird's tail. She pressed her hands in front, showing silver bracelets and nail tips. After a wai kru ceremony, she staged a play in nora kaek, the dying breed of performance art from the Deep South.