Despite a two-year hiatus, Nutchanat La-ongsri commanded a stage with unwavering power. Donning a large headpiece, she pulled on a white costume with a red strap tied on her upper body. Her back rose up like a bird's tail. She pressed her hands in front, showing silver bracelets and nail tips. After a wai kru ceremony, she staged a play in nora kaek, the dying breed of performance art from the Deep South.