, in one way or another they always responded to what was happening around, and i really like it when people coming to the hall get this opportunity to interact with some kind of modern agenda, and probably this is some kind of active inner one of mine involvement in what was happening around me, it could not help but give birth to some kind of text, the text is. The abduction of europe, in general, it is also structured like a performance, it is such a dense text, public, it has the energy of such a challenge, quite a challenge to a certain audience, i had a lot of arguments over this text, because people suddenly said, oh, you think so, yes, i think so, oh, thats what you are, oh , thats what you are, well, well. And in order not to be subject to cancellation, the producers themselves are afraid of this, they tell me in advance they said, dont, please, we beg you, dont, categorically dont, but what kind of topics were these, well, it was an emigrant agenda, it was a story in poland c
One-way
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