Democratic and republican members of the House Armed Services committee over the pentagon plan to devote 3. 8 billion to construct more border wall. The pentagon is asking congress to approve a 705 billiondollar budget for fiscal year 2021. This hearing is three hours 35 minutes. We will go ahead and call the committee to order. Good morning, everyone. We are gathered here this morning from secretary of defense doctor mark esper and chairman joint chiefs of staff general to hear about the proposal for the department of defense. I will start with some good news or start by thanking the witnesses for being here and further service to the country. Both served their country in various capacities for a long time, not an easy thing to do. I appreciate that and look forward to continuing to work with you. Unlike last year, we have a budget agreement, and last year we spend a lot of time talking about how difficult it is to run while anything in the government but certainly the department of d
I will start with some good news well, first of all, i will start with thinking our witnesses for being here and thanking them for their service to our country. Further service to the country. Both served their country in various capacities for a long time, not an easy thing to do. I appreciate that and look forward to continuing to work with you. Unlike last year, we have a budget agreement, and last year we spend a lot of time talking about how difficult it is to run while anything in the government but certainly the department of defense without Appropriations Bills in a timely manner. Last year we were off by 3. 5 months, Something Like that thats better than drifting into the next year. We did get appropriation bills done by december of last year which gives some predictability to the department i think that is enormously important. This year we hope to come a little closer to october 1 certainly on the authorizing bill that also the appropriation bill but most importantly, we hav
, mais cris mon desespoir, mais tombe la neige, impassible ma neige, near salvadorov kharatyan, snow is falling, yes, yes, it is snow falling, well, its like that, lets call it the melody of sadness, let it be the melody of sadness, hes waiting for her, and she doesnt come, but she doesnt come, such a time, our friends from yugoslavia were very popular, do you remember socialist the whole camp, of course, karl goth is unconditional, the polish group was called guitar, chervona guitar , severinsky, when they ask me what is your favorite ensemble, it was, i say, i had two favorite ensembles, the beatles ensemble and the ensemble the countries of warsaw, a collective image, and the beatles are beyond competition, thats clear, they have always remained for centuries, ill move a little bit along with you through history. According to the fate of Dmitry Kharatyan, here we go, we go, and im looking forward to what came first, midshipman or green van, of course, green van, well, yes, yes, gree
Its not right in your soul, you know, children are how they are formed through mimisis, through imitation, art is always a mimetic thing, an imitative thing, for example, the art of theater, we imitate, and what we imitate, we imitate what we like and what interests us, and we find what resonates in. The transformation of documentary theater in our country, this is a project that we are also implementing thanks to the cultural initiatives fund. On the air of the Creative Industry podcast, our guest today is the director, artistic director of the malaya bronnaya theater, konstantin bogomolov. Lets continue, this word, imitation, it, well, comes from what i i heard your interviews, it. It actually seems to me that this is a rather unique property of russian consciousness, it is so in a cultural sense, imperial in a high sense, it conquers space, in which cultural space, in what sense, it considers everything the best in world culture is its own, russian consciousness, it wants to include
, in one way or another they always responded to what was happening around, and i really like it when people coming to the hall get this opportunity to interact with some kind of modern agenda, and probably this is some kind of active inner one of mine involvement in what was happening around me, it could not help but give birth to some kind of text, the text is. The abduction of europe, in general, it is also structured like a performance, it is such a dense text, public, it has the energy of such a challenge, quite a challenge to a certain audience, i had a lot of arguments over this text, because people suddenly said, oh, you think so, yes, i think so, oh, thats what you are, oh , thats what you are, well, well. And in order not to be subject to cancellation, the producers themselves are afraid of this, they tell me in advance they said, dont, please, we beg you, dont, categorically dont, but what kind of topics were these, well, it was an emigrant agenda, it was a story in poland c