norah. o donnell: imtiaz, thank you. now to politics and the sixth and final debate of this year, democrats sparred over wealthy donors and wine caves, and the narrow field aimed their fire at a new target. ed o keefe is in marina delray, california. reporter: the morning after cing attacks from rivals at the debate, mayor pete buttigeig found a friendlier audience. te that was great last night. reporter: buttigieg was blasted by senator elizabeth warren for holding high-dollar fundraisers at venues like a california wine cellar with chandeliers full of swarovski ulystals. billionaires in wine caves should not pick the next senator toesident of the united states. reporter: senator amy klobuchar questioned his experience. we should have someone heading up this ticket that has actually won and been able to show they port that you talk saboucat.upn ga reperorter: t they re going r buttigieg because he s leading il iowa and surging in new ngmpshire while warren is stipping a
hey, listen, martin, i just saw boys in the hood, all right? i didn t know, martin, i didn t know. they knew that they needed to capture this audience to grow. i guess you think you smart and cool. but if you think you get a job here, you re a damn fool. so they basically gave the black creators freedom to do whatever you want. just get the audience. the wb and upn took that concept from fox. your shoulders are harder than cheap breast implants. going after this underserved audience of urban minority viewers and really ran with it. i m a new millennium woman who will not be defined by traditional roles. a lot of the networks built themselves up partly on african-american viewers. the african-american shows indexed lower in terms of household income.
just get the audience. the wb and upn took that concept from fox. your shoulders are harder than cheap breast implants. going after this underserved audience of urban minority viewers and really ran with it. i m a new millennium woman who will not be defined by traditional roles. a lot of the networks built themselves up partly on african-american viewers. the african-american shows indexed lower in terms of household income. so over the course of the decade, the network started to move away from those shows. i don t know about you people, but i ll be damned if it i m going to let them destroy my neighborhood. black creators felt used and abused. you made your money. you built your audience on us and now, you know, you re done.
the wb and upn took that concept from fox. your shoulders are harder than cheap breast implants. going after this underserved audience of urban minority viewers and really ran with it. i m a new millennium woman who will not be defined by traditional female roles. okay? a lot of the networks built themselves up partially on african-american viewers. shake it to the east, shake it to the west. the african-american shows indexed lower in terms of household income. so over the course of the decade, the network started to move away from those shows. i don t know about you people, but i ll be damned if it i m going to let them destroy my neighborhood. black creators felt used and abused. you made your money. you built your audience on us and now, you know, you re done. this. watch. tells. time and takes phone calls.
boys in the hood, all right? i didn t know, martin, i didn t know. they knew that they needed to capture this audience to grow. i guess you think you smart and cool. but if you think you are getting a job here, you re a damn fool. so they basically gave the black creators freedom to do whatever you want. just get the audience. the wb and upn took that concept from fox. your shoulders are harder than cheap breast implants. going after this underserved audience of urban minority viewers and ran with it. i m a new millennium woman who will not be defined by traditional roles. okay? a lot of the networks built themselves up partially on african-american viewers. the african-american shows indexed lower in terms of household income. so over the course of the