A One and A Two: Edward Yang Retrospective, the most comprehensive retrospective to date of the film director Edward Yang, is co-organized by the Taiwan Film and Audiovisual Institute (TFAI) and the Taipei Fine Arts Museum.
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THE INAUGURAL FILM of postwar queer cinema and a watershed event in the history of the American avant-garde, Kenneth Anger’s Fireworks of 1947 is an autobiographical account of the awakening of desire. Shot when the filmmaker was only seventeen years old,1 the film is the sadomasochistic fantasy of a young man, played by the teenage Anger, who dreams he is sexually assaulted by a gang of sailors. Like its young author, the film was precocious. Made in the immediate aftermath of World War II, just as the United States was entering the Cold War, in which it imagined itself to be the policeman of
The latest on Blu-ray and streaming, including Cocaine Bear, Creed III, Champions, 80 for Brady, and Criterion editions of Thelma & Louise and Wings of Desire.