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Children’s learning held back by digital schooling, NAO report finds
Children’s socio-economic status has affected their experiences with digital learning, and most teachers consider their pupils to be, on average, three months behind where they would be expected to be
Share this item with your network: By Published: 17 Mar 2021 0:01
The Department for Education’s response to facilitate online education during the Covid-19 pandemic could have been more effective, according to the National Audit Office (NAO).
An NAO report on children’s education during Covid-19 has found that although the department quickly took action when the pandemic hit, parts of its response could have been done better and been more effective in “mitigating the learning that pupils lost as a result of the disruption”.
PAC slams Home Office digital border programme
The Home Office has failed to acknowledge and be transparent about Digital Services at the Border programme problems, according to the Public Accounts Committee
Share this item with your network: By Published: 12 Mar 2021 12:45
The Home Office has continued to fail to deliver digital border programmes for nearly 20 years, with continuous delays and additional costs, a Public Accounts Committee (PAC) report has found.
The department originally launched an e-Borders programme in 2003, aiming to improve the use of information to track people across borders, which cost £830m and failed to deliver.
It then launched a replacement programme, Digital Services at the Border (DSAB), in 2014, which was originally due to be complete in 2019, but also failed to deliver and reset the programme.
Wheel of Fortune and Fantasy Review: Three Chance-Driven Encounters Make for Two Happy Hours Wheel of Fortune and Fantasy Review: Three Chance-Driven Encounters Make for Two Happy Hours
Ryusuke Hamaguchi follows up Cannes-selected Asako I & II with a slight but satisfying trio of female-driven vignettes in which fate plays a central role.
Peter Debruge, provided by
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Running time: Running time: 121 MIN.
Courtesy of Berlin Film Festival
When Japanese director Ryusuke Hamaguchi made his return to fiction after time away in the realm of documentary, he dispensed with the idea that stories must conform to feature length. “Happy Hour,” the sprawling ensemble drama that sparked interest in him among cinephiles, ran more than five hours, and while his latest, “Wheel of Fortune and Fantasy,” boasts a conventional enough running time of 121 minutes, the film is actually composed of three short stories, stitched together and somewhat arbitrarily present
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