Latest Breaking News On - Tamara chalabi - Page 6 : comparemela.com
A Bagdad, sur les traces de Gertrude Bell, la mère de l Irak moderne - Toute l actualité de la Guadeloupe sur Internet
guadeloupe.franceantilles.fr - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from guadeloupe.franceantilles.fr Daily Mail and Mail on Sunday newspapers.
المسلمون اللبنانيون لا يمكنهم الاعتراف بالفدرالية الدينية
elaph.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from elaph.com Daily Mail and Mail on Sunday newspapers.
Galleries come together to launch a collaborative online exhibitions platform: In Touch
Maya Varadaraj, Imagine the Truth, 2020. Collage; print on paper, 18x18 in. Photo: Courtesy Nature Morte.
MUMBAI
.-In Touch is a digital exhibitions platform created in partnership between galleries to present online exhibitions. Its collaborative nature makes this a unique platform, bringing together a diverse range of programs and artists. In its fourth edition, In Touch presents thirteen galleries from India and Dubai. Participating galleries are Chatterjee & Lal, Mumbai; Chemould Prescott Road, Bombay; Experimenter, Kolkata; Green Art Gallery, Dubai; Galerie Mirchandani + Steinruecke, Mumbai; Gallery Espace, New Delhi; Gallery Isabelle van den Eynde, Dubai; Nature Morte, New Delhi; PHOTOINK, New Delhi; GALLERYSKE, Bangalore/New Delhi; Shrine Empire, New Delhi; Tradition and Beyond, New Delhi; and Vadehra Art Gallery, New Delhi.
Green Art Gallery opens its first solo exhibition of works by Maryam Hoseini
Maryam Hoseini, Ghost Watcher 2 (detail), 2020.
DUBAI
.- In her first solo exhibition at Green Art Gallery, New York-based Iranian artist Maryam Hoseini presents paintings on geometrically shaped, vertically oriented panels that draw the viewer into these abstract containers. Within these spaces, Hoseini s equally abstracted figures cast between the human and the animal contest their confinement, displacement, and subjugation.
Hoseinis dramaturgical plotting of space, both in the composition of the paintings and in their placement in the gallery, yields dreamscapes where bodies float between abstraction and figuration. The large panels simultaneously evoke the shapes of abstracted human forms and familiar architectures, while the shadows cast against the walls highlight the theatricality and fluidity in their relationship to the viewer. One becomes strangely body-conscious encountering the work