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A New Survey of Black Portraiture Rewrites the Art Historical Canon

The Time Is Always Now: Soulscapes review – the Black figure reframed to momentous effect

The presence, and absence, of Black figures in western art is turned on its head in an exhilarating showcase of 21st-century artists from the African diaspora. Elsewhere, some of the same artists reimagine landscape

Beth Rudin DeWoody Reflects on Seeing Art in New York and Los Angeles – ARTnews com

Njideka Akunyili Crosby Assembles Extended Family Trees

Njideka Akunyili Crosby Assembles Extended Family Trees
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Njideka Akunyili Crosby: Coming Back to See Through, Again

At first, Akunyili Crosby’s pervasive use of photographic transfer—taken from her personal archive as well as the breadth of Nigerian life as pictured in mass-media—appears to provide a literal pathway for the world outside of the work to enter: a goal of collage since at least Synthetic Cubism in which it had a certain shock value. Here, instead, the neatly arranged assortment of small images remain in the background, providing a quiet visual humming or buzzing amidst the more robust components of the work.

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