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Walking through Vom Abend, Joe Bradleys new show at David Zwirner in Chelsea, gave me the sense I was traipsing through heady conversations and the pulsation of music, following wisps of smoke with my nose like a cartoon character.
Science fiction is largely a projection of our own fears about ourselves, and in these two exhibitions of graphic works and several choice sculptures, Bhabha plays with the struggle to enter into the minds of our ancestors, as well as the unpleasant acknowledgement of a creepy pseudo-fascism or impulse to domination that seems to inhere in a great deal of archaic art.
Its not hard, gazing at the photographs James Welling has assembled in Thought Objects, to picture their creator holding a paintbrush rather than a camera. The shows standout work is a striking combination of seascape, screenprint overlay, and abstract coloration whose stippled, almost woody texture defies formal categorization.
When James Welling gets deeply involved in a project, he sees the subjects hes interested in everywhere. His current body of work, Thought Objects, emphasizes textured surfaces. Some of his subjects include flowers, Brutalist architecture, a blue door in Paris, a sculpture table in Guilford, but his photographs do much more than convey subject matter, they open out into fields of metaphor and analogy.