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Pollstar | Still Corners

Pollstar, The Voice of Live Entertainment for over 38 years, provides the most up-to-date, relevant and useful data available for the global concert industry, delivering an unmatched archive of live entertainment data, a focus on editorial excellence, and the most powerful metrics of entertainment industry success available anywhere.

stream new releases from Still Corners, Madeline Kenney, Bicep, Arca, Logic1000 + more

Gigulate stream new releases from Still Corners, Madeline Kenney, Bicep, Arca, Logic1000 + more The first truly stacked new release day of 2021 features new ones from Still Corners, Madeline Kenney, Bicep, Arca + more. Check them all below. Continue reading…

Still Corners – The Last Exit review: open-road Americana

Credit: press Still Corners, a band defined over the last decade by Tessa Murray’s ethereal vocals and dream-pop stylings, synth-gaze and desert noir, have said that their fifth album is meant to evoke “something eternal in the landscape and in our psyche”. Yet it’s not quite an exciting open-road adventure – in fact, it often sounds as though they’re firmly in cruise control. The London-formed, New York state-based duo (comprising British singer Murray and American songwriter and producer Greg Hughes) have written some brilliant tunes over the years, from the dark disco of ‘Lost Boys’ (from 2016’s ‘Dead Blue’) to the ambient country of ‘In The Middle Of The Night’ (2018’s ‘Slow Air) and ‘80s-style synth-pop of ‘Berlin Lovers’ (2013’s ‘Strange Pleasures’). ‘The Last Exit’ doesn’t sparkle with that same magic, though ‘White Sands’ is a real album highligh

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