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Credit: press Still Corners, a band defined over the last decade by Tessa Murray’s ethereal vocals and dream-pop stylings, synth-gaze and desert noir, have said that their fifth album is meant to evoke “something eternal in the landscape and in our psyche”. Yet it’s not quite an exciting open-road adventure – in fact, it often sounds as though they’re firmly in cruise control. The London-formed, New York state-based duo (comprising British singer Murray and American songwriter and producer Greg Hughes) have written some brilliant tunes over the years, from the dark disco of ‘Lost Boys’ (from 2016’s ‘Dead Blue’) to the ambient country of ‘In The Middle Of The Night’ (2018’s ‘Slow Air) and ‘80s-style synth-pop of ‘Berlin Lovers’ (2013’s ‘Strange Pleasures’). ‘The Last Exit’ doesn’t sparkle with that same magic, though ‘White Sands’ is a real album highligh

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