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Events starting Apr 25

Star Tap by Emily Furr. Furr paints celestial visions that place cool, hard-edged objects within weightless, star-filled voids. Furr’s artwork plays with a codex of motifs, exploring their potential formations through a process of repetition. The artist’s serialized tropes take the shape of tongues laden with hallucinogenic sugar cubes, sloping conveyor belts adorned with astral points, rocket engines with acutely sharp, almost erotic edges, tubes, chains, and myriad metal hardware. Furr’s paintings can be positioned in relation to postmodern artists such as Lee Lozano (American, 1930–99) and Forrest Bess (American, 1911–77), whose depictions of archetypal shapes, colors, and quotidian objects…

Events starting Apr 10

Star Tap by Emily Furr. Furr paints celestial visions that place cool, hard-edged objects within weightless, star-filled voids. Furr’s artwork plays with a codex of motifs, exploring their potential formations through a process of repetition. The artist’s serialized tropes take the shape of tongues laden with hallucinogenic sugar cubes, sloping conveyor belts adorned with astral points, rocket engines with acutely sharp, almost erotic edges, tubes, chains, and myriad metal hardware. Furr’s paintings can be positioned in relation to postmodern artists such as Lee Lozano (American, 1930–99) and Forrest Bess (American, 1911–77), whose depictions of archetypal shapes, colors, and quotidian objects…

Artist s first solo exhibit calls attention to cosmic void

Photos courtesy of the SCAD Museum of Art The paintings by Emily Furr in her Star Tap exhibit at the Savannah College of Art and Design Museum of Art explore cosmic relationships between humanity and nature, with a psychedelic edge reminiscent of magazine imagery from the 1960s and 1970s. Emily Furr’s new solo exhibit at the SCAD Museum of Art challenges our perception of the world, the capitalist society we live in, and incongruences within our universe and nature. Star Tap calls attention to the cosmic void played out in society and life through a postmodern lens and dystopian trip of her works from the last three years, most of them made in 2020.

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