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it s as if somebody s saying, wait a minute, you did that in that show. into the woods was based on fairy stories like jack and the beanstalk. sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither. # while her withers wither with her. # and no one keeps a cow for a friend. that s one of my favourite things about a sondheim musical, is the material that you learn is some of the most complex series of notes put together that you can learn, and so you feel such a sense of accomplishment when you finally get to when you ve arrived at a place where you realise i ve got it. i ve figured out how to sing this sondheim lyric and sing this beautiful phrase that he wrote. # i thought that you d want what i want, sorry, my dear. for his admirers, stephen sondheim produced some of the most sophisticated and thoughtful musicals ever written.
wait a minute, you did that in that show. into the woods was based on fairy stories like jack and the beanstalk. sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither. # while her withers wither with her. # and no one keeps a cow for a friend. that s one of my favourite things about a sondheim musical, is the material that you learn is some of the most complex series of notes put together that you can learn, and so you feel such a sense of accomplishment when you finally get to when you ve arrived at a place where you realise i ve got it. i ve figured out how to sing this sondheim lyric and sing this beautiful phrase that he wrote. # i thought that you d want what i want, sorry, my dear. for his admirers, stephen sondheim produced some of the most sophisticated and thoughtful musicals ever written.
and i think i ve written that, i mustn t do that again. somebody will catch me up on it, so to speak. it s as if somebody s saying, wait a minute, you did that in that show. into the woods was based on fairy stories like jack and the beanstalk. sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither. # while her withers wither with her. # and no one keeps a cow for a friend. that s one of my favourite things about a sondheim musical, is the material that you learn is some of the most complex series of notes put together that you can learn, and so you feel such a sense of accomplishment when you finally get to when you ve arrived at a place where you realise i ve got it. i ve figured out how to sing this sondheim lyric and sing this beautiful phrase that he wrote. # i thought that you d want what i want, sorry, my dear.
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