it s as if somebody s saying, wait a minute, you did that in that show. into the woods was based on fairy stories like jack and the beanstalk. sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither. # while her withers wither with her. # and no one keeps a cow for a friend. that s one of my favourite things about a sondheim musical, is the material that you learn is some of the most complex series of notes put together that you can learn, and so you feel such a sense of accomplishment when you finally get to when you ve arrived at a place where you realise i ve got it. i ve figured out how to sing this sondheim lyric and sing this beautiful phrase that he wrote. # i thought that you d want what i want, sorry, my dear. for his admirers, stephen sondheim produced some of the most sophisticated and thoughtful musicals ever written.
wait a minute, you did that in that show. into the woods was based on fairy stories like jack and the beanstalk. sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither. # while her withers wither with her. # and no one keeps a cow for a friend. that s one of my favourite things about a sondheim musical, is the material that you learn is some of the most complex series of notes put together that you can learn, and so you feel such a sense of accomplishment when you finally get to when you ve arrived at a place where you realise i ve got it. i ve figured out how to sing this sondheim lyric and sing this beautiful phrase that he wrote. # i thought that you d want what i want, sorry, my dear. for his admirers, stephen sondheim produced some of the most sophisticated and thoughtful musicals ever written.
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and i think i ve written that, i mustn t do that again. somebody will catch me up on it, so to speak. it s as if somebody s saying, wait a minute, you did that in that show. into the woods was based on fairy stories like jack and the beanstalk. sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither. # while her withers wither with her. # and no one keeps a cow for a friend. that s one of my favourite things about a sondheim musical, is the material that you learn is some of the most complex series of notes put together that you can learn, and so you feel such a sense of accomplishment when you finally get to when you ve arrived at a place where you realise i ve got it. i ve figured out how to sing this sondheim lyric and sing this beautiful phrase that he wrote. # i thought that you d want what i want, sorry, my dear.
broadway star sierra boggess played cinderella in sondheim s into the woods, and shared her memories of the composer a little earlier. first of all, thank you so much for having me. it s a cathartic experience for me right now because we all in this broadway community and around just heard this news, so it s beyond. but that s one of my favourite things about a sondheim musical, the material you learn is some of the most complex series of notes you can learn. so you feel such a sense of accomplishment when you finally arrive at that place and realise you ve got it, you know how to sing that sondheim lyric and beautiful phrase that he wrote. his melodies are so complex, and they may not be easy always