It is a great pleasure to have you here. Now you are very busy right now because a play that you originally wrote in 2012 and put on in 2012 has been revived at the National Theatre in london in just the last few days. And its got me wondering, as you have been heavily involved with the revival, how have you sort of seen the evolution of your own writing and what interests you . Have you changed in the decade . Yes, i think i have. I mean, its so interesting to go back to something you wrote just over ten years ago. As you say, 2012 was the first production of it. Its a play called the effect, and it follows. It follows two triallists taking part in a Clinical Trial for a new antidepressant and two doctors running it. And the triallists basically start to fall in love, but dont know whether they are actually falling in love or if its an effect of the new antidepressant that theyre trialling. And of course, when i wrote it originally, i felt very close to these young sort of Romeo And J
Now you are very busy right now because a play that you originally wrote in 2012 and put on in 2012 has been revived at the National Theatre in london in just the last few days. And its got me wondering, as you have been heavily involved with the revival, how have you sort of seen the evolution of your own writing and what interests you . Have you changed in the decade . Yes, i think i have. I mean, its so interesting to go back to something you wrote just over ten years ago. As you say, 2012 was the first production of it. Its a play called the effect, and it follows. It follows two triallists taking part in a Clinical Trial for a new antidepressant and two doctors running it. And the triallists basically start to fall in love, but dont know whether they are actually falling in love or if its an effect of the new antidepressant that theyre trialling. And of course, when i wrote it originally, i felt very close to these young sort of Romeo And Juliet 20 somethings feeling excited and r
Because a play that you originally wrote in 2012 and put on in 2012 has been revived at the National Theatre in london in just the last few days. And its got me wondering, as you have been heavily involved with the revival, how have you sort of seen the evolution of your own writing and what interests you . Have you changed in the decade . Yes, i think i have. I mean, its so interesting to go back to something you wrote just over ten years ago. As you say, 2012 was the first production of it. Its a play called the effect, and it follows. It follows two triallists taking part in a Clinical Trial for a new antidepressant and two doctors running it. And the triallists basically start to fall in love, but dont know whether they are actually falling in love or if its an effect of the new antidepressant that theyre trialling. And of course, when i wrote it originally, i felt very close to these young sort of Romeo And Juliet 20 somethings feeling excited and romantic for the first time. And
shimon, you ve obtained the report and read it. tell us what you ve learned. reporter: the lackadaisical response, they talk about how there was no command, no control, no leadership essentially on the scene of the shooting. it was just truly chaos, every officer doing their own thing. we re also learning what the police chief, the school police chief, pete arredondo, told the committee. he appeared before the committee. he explained his thinking. he said at one point he didn t believe there were any kids inside the score because it was awards day. what he said was he looked at an adjacent room, room 110, and when he went in there, there was no one in there, and it made himly were no babies as he said inside the room. of course, we know that was not the case. he also describes how initially his thinking was that this was an active shooter situation, but then what happens is he starts to believe that the subject, the gunman, is barricaded, and that in order to rescue the oth
we re going to tell you what they learned from the department of homeland security top watchdog. want to welcome the viewers in the united states and around the world. i m wolf blitzer. you re in the situation room. we re live here in jetta, saudi arabia, overlooking the red sea covering talks between president biden and saudi leaders. president biden revealing a short time ago he did confront the saudi crown prince about the murder of jamal khashoggi. senior white house correspondent phil mattingly is here with us in jeddah. no question. look. president biden landed here in jeddah with a series of objectives but white house officials were aware. eyes would be on the first meeting between the president and the crown prince and didn t have to wait to find out what it would look like. reporter: with a fist bump, a pariah no more. a recalibration defined. president biden s highly anticipated and sharply criticized first interaction with saudi crown prince salman. i sai