because e she didn t t wait fr somebobody to poinint it out. she sasaid, you knknow what? i recogngnize it. i m going g to give ththem cre. clearlrly she undederstands tt if t there are m more than a w similarities, that you need to give credit whehere creditt is due.. also showsws that she e is awarf how w the music c industry w w. sidney madadden: taylolor swifift as an arartist and d as a busininesswoman hs alwaysys kind of f fashioned herselelf as a chahampion fofor songwrititers, and for gigiving songwgwrites their crededit where i it s d. subjbject 1: i m m in the e getaway cacar. leleft you in n the motel l . tookok the moneyey taylor swiwift: took t the moy in the b bag, and i i stole th- subject t 1: took ththe moneney took t the taylor swiwift: put ththe monen the babag and i sosold the ke. that wasas the lastt time y you ever sasaw me. mikael woooo: it showsws you ththe occasionons thatat even taylylor swift who is c certainly a an advocatr her r own songwrwriting authth
sean hall:l: how does s a pern feel when n they come e home and theyey feel likeke their house has s been robbebed? that s howow i felt. tataylor swiftft: (singingn) playayers going g to play, p , playay, play, plplay. sesean hall: 1 1, 2, 3, 4.. when i i first gotot into the music c business, , i was 17. back thehen, gettingng deals s was a situtuation. everyone h has a deal l now. backck then, it t s like, if you h had a deal,l, itit s becausese you foughght f. [m[music playiying] i met t nate butleler throrough a frieiend. natete was just t leaving coco. hehe wanted toto write musus. so we e met, and w we hit it off immmmediately and d became besest friends. and ththen, of couourse, not t everythingng you write
she sasaid, you knknow what? i recogngnize it. i m going g to give ththem cre. clearlrly she undederstands tt if t there are m more than a w similarities, that you need to give credit whehere creditt is due.. also showsws that she e is awarf how w the music c industry w w. sidney madadden: taylolor swifift as an arartist and d as a busininesswoman hs alwaysys kind of f fashioned herselelf as a chahampion fofor songwrititers, and for gigiving songwgwrites their crededit where i it s d. subjbject 1: i m m in the e getaway cacar. leleft you in n the motel l . tookok the moneyey taylor swiwift: took t the moy in the b bag, and i i stole th- subject t 1: took ththe moneney took t the taylor swiwift: put ththe monen the babag and i sosold the ke. that wasas the lastt time y you ever sasaw me. mikael woooo: it showsws you ththe occasionons thatat even taylylor swift who is c certainly a an advocatr her r own songwrwriting auththo- isis herself, , kind ofof roped intnto this. sean h hall:
is going t to be a smamash. bubut we got a a lot of placemenents togetheher. we wororked on xscscape. [xscape, holdld on ] (singing) hold on to l love. hold on to love. kandi burruss: we loved that song so much that sean produced. i feel like people really appreciate real vocals baback then. peopople loved r r&b back tht. r&r&b was, i w would say,, biggerer than hip p hop. cariri champion:n: so we havavs emergence e of black g girl grs who o are very unanapologeti. and they re singing g a differerent type o of song. anand i believeve truly, f fo, that was the start o of women singing in a v very empowewered. sean hall: my first pop hit would probably be no more on 3lw.. [3[3lw, no momore ] (singng) yoyou do or yoyou don t, d do. you will o or you won n t, won. no m more. yeah, yeahah. sidney madadden: so wiwithin e pantheonon of black k girl gros of the l late 90s and earlrly 2000 s,, 3lw w definitelyly had ststaying powewer. ththey had a s steady fandnd.
is going t to be a smamash. bubut we got a a lot of placemenents togetheher. we wororked on xscscape. [xscscape, holdld on ] (s(singing) hohold on to l l. hold on toto love. kandndi burruss:s: we loveved that sonong so much that sean produced. i feel like people really appreciate real vocals baback then. peopople loved r r&b back tht. r&r&b was, i w would say,, biggerer than hip p hop. cariri champion:n: so we havavs emergence e of black g girl grs who o are very u unapologeti. and they r re singing g a differerent type o of song. anand i believeve truly, f fo, that was t the start o of womn singnging in a v very empowewer. seanan hall: my y first pop pt wowould probabably be no o m on 3lw.. [3[3lw, no momore ] (singng) yoyou do or yoyou don t, d do. you will o or you won n t, won. no m more. yeah, yeahah. sidney madadden: so wiwithin e pantheonon of black k girl gros of the l late 90s and earlrly 2000 s,, 3lw w definitelyly had ststaying powewer. ththey had a s steady fandnd.