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Studio 10 divides up Fashioned from Nature exhibition with translucent corridors

Studio 10 divides up Fashioned from Nature exhibition with translucent corridors Chinese design firm Studio 10 has used translucent materials and winding ramps to create a series of abstract spaces to display artefacts at the Fashioned from Nature exhibition at the V&A s outpost in Shenzhen. Top: Exhibition design by Studio 10. Above: backlit fabrics look to create an impression of foliage The entirely new exhibition design divides the show into two sections. The first section details the relationship between fashion and nature since the 16th century and has a design that references classical gardens. Named Fashioned from Nature in China: Then and Now, the second part of the exhibition examines a similar theme but with a focus on China and takes a more contemporary design approach.

Throwback Thursday: As WeChat Turns 10, We Remember the Time It Became a Literal Work of Art

Throwback Thursday: As WeChat Turns 10, We Remember the Time It Became a Literal Work of Art Jan 21, 2021 11:30 am | Add a comment | 178 reads Throwback Thursday takes a look back into Beijing s past, using our 12-year-strong blog archives as the source for a glance at the weird and wonderful stories of Beijing s days gone by. On a cold winter morning 10 years ago today, Tencent unveiled its newest project, a humble little messaging app called Weixin. Though the company was already firmly planted in the social media sphere with its QQ instant messenger app and Qzone social network, the idea behind Weixin was to disrupt the telecommunications ecosystem by creating a service that wasn’t constrained to a single mobile phone model or service provider. Simply put, with this new technology, users would have more freedom to send text messages, short voice memos, and photos to their friends and family. As folks are wont to say, however

Social Network Factory / People s Architecture Office

Courtesy of People s Architecture Office The horns of the installation reach outward in multiple directions, mirroring the cantilevered volumes of the center by architect Fumihiko Maki. While Maki’s design directs views towards distant landscapes, the horns of the Social Network Factory project sounds and voices to immediately adjacent areas, including the waterfront promenade, gardens and museum entrance. Courtesy of People s Architecture Office Functioning on a human scale, small horns allow people to speak indirectly to each other while large horns are occupiable and provide cover for social activities. The installation’s twisting tubes recall the maritime and industrial heritage of Shekou. They become telescopes, periscopes, and public furniture that facilitate the gathering of people.

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