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以艺术为名的伤害是艺术吗?从宋拓《校花》撤展谈起

黄永砯,《世界剧场》, 1993。图片:Courtesy of the Guggenheim 今年4月,展览“环形撞击:录像二十一”在OCT当代艺术中心上海馆开幕,参展作品为2000年至今的21件中国录像艺术样本。不久前,OCAT上海馆的微信公众号推文介绍了其中的一件作品 艺术家宋拓创作于2013年的参展作品《校花》。在这个长达7小时5分钟的录像作品中,宋拓在某大学校园中拍摄了四千多位行走的女生,并按照个人审美排序、剪辑、标注名次。 随后,这件作品在网络上引发了激烈的抗议。有网友在豆瓣网发起题为“OCAT上海馆展览《校花》: 偷拍几千名女生并给她们排名”的讨论,并在文末附上了可投诉的平台链接。 几乎是言论发酵的同时,OCAT上海馆介绍宋拓作品的推文被删除。几个小时后的次日凌晨,OCAT上海馆在微博发布声明,为审核工作的疏漏道歉,作品即日撤展,展

以艺术为名的伤害是艺术吗?从宋拓《校花》撤展谈起_作品

以艺术为名的伤害是艺术吗?从宋拓《校花》撤展谈起_作品
sohu.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from sohu.com Daily Mail and Mail on Sunday newspapers.

Humboldt Forum / Franco Stella

© Stefan Müller Text description provided by the architects. The former Berlin Palace(Berliner Schloss), constructed since 1443 as the residence of the Brandenburg princes, was partially transformed at the beginning of the 18 th century into the baroque palace of those same sovereigns, who in 1701 became kings of Prussia and in 1871 also German emperors. Damaged by the Second World War II bombing, the Berlin Palace was lastly razed to the ground for ideological reasons- as a symbol of Prussian militarism -in 1950 by the holders of political power of the GDR. © Stefan Müller He was the urban and architectural director of the historic-monumental Centre of Berlin, built during the eighteenth and nineteenth centuries, which still exists, although largely rebuilt after the devastation of the Second World War. The monumental axis Unter den Linden – the almost uninterrupted sequence of public and private buildings that reaches the Brandenburg Gate– had begun and then had found

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