for this program, is an author and tv crime analyst. as for laura hart mckinny screen writing is such an emotional journey. we have to be willing to be vulnerable. she teaches screenwriting at the university of north carolina school of the arts. and that screenplay she developed with mark fuhrman s help? it never became a movie. missouri scum who should not be allowed in her policemen and police women brotherhood. it became a book. he violated all principles by touching a female officer. he glanced at the notepad and pounded his heart, oh, god, kissing one policewoman in uniform and embarrassing it all. it s fiction. and the title? the same as fuhrman s real life secret society. men against women. was completing this book
don t talk to her and they would back away. men against women wasn t only about denegrating females, fuhrman also told screenwriter laura hart mckinney that m.a.w. held what they called kill parties. celebrations she found unimaginable. the thought of a kill party takes your breath away. when there was an officer-involved shooting, some officers of the m.a.w. group would celebrate it it. the thought of taking someone s life and happy that it wasn t you and finding a way to go great job. that was a hell of an evening. it s just overwhelming, the really is. the idea of a kill party. tribunals. kill parties. equally disturbing is that mark fuhrman stayed on the job
i was completely unprepared to be in a courtroom. i was extremely nervous. this material is collateral. and i will deny the subpoena. i think it s an outrageous ruling and we re going to appeal. this is bombshell evidence and it s absolutely critical. it s relevant, germane, material. you won. you didn t have to give up the tapes. yes. i was very pleased that we won and thought that s the end of it. great. and then you lost on appeal. right. and then you thought? i thought i have to send the tapes. so did he say, laura, please don t give up those tapes? he requested i not give up the tapes. what did you tell him? no. that i had to give them up. did you feel a need to protect him? no. he s very capable of protecting himself. as for mckinney, she could no longer protect the tapes or her
heart i always knew it was wrong, even if i said them only to create a fictional story. my first fall our was the lure of agreed and the second was my lack of compassion. i m not a racist. fuhrman also went on an apology tour, visiting diane sawyer, oprah, and larry king. i thought i knew better, being a policeman, how to make the most controversial, outrageous, violent, controversially crammed police show we could make. and i was wrong. i didn t know what i was doing. one thing fuhrman has said is, eh, at times maybe i got a little carried away talking to laura. i don t know if you ve heard that before. what s your reaction to that? he said those things, so he believed them. but i don t think he got carried away. i think he was truthful. today, no longer a screenplay consultant or a cop, fuhrman, who declined to be interviewed
tia morris says she had to work with the men of m.a.w. so when you heard about men against women and this group of guys mg the mission to intimidate and harass women, did you believe it? i didn t. but then i really saw how serious mark fuhrman was about the other men talking to the women. if they came up to me and spoke or anything like that, mark fuhrman would say what are you doing? don t talk to her and they would back away. men against women wasn t only about denegrating females, fuhrman also told screenwriter