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More than 700 seats remain vacant at Philadelphia School District magnets after readmission

He s Like a Puppet-Master : How Frank Bowling Is Directing the Production of His Art—and His Legacy—in His Twilight Years

Volume 62, Issue 1 | Mass Review

Brooklyn, NY, June 19, 2020. Volume 62, Issue 1 SPRING FORWARD, FALL BACK. As mnemonics go, one of the best, as equipment for living, not the recipe we need. Though this issue hits the bookstands the day after we spin the clocks ahead, if springing forward is what you’re looking for, you’ve come to the wrong place. Many things must change, given where we’ve been, yet none of that will happen unless we come to terms with what we’ve learned. And it isn’t the lies, the self-dealing, the rancor, or even, at some level, the damage done, the lives ended, the fortunes ruined, the friends and family lost. All of that still burns, how could it not, and nothing will be forgotten, because how could it be? Yet what is truly essential, what must at last be confronted, was delivered to us drop by drop during this interminable succession of isolated days, a truth that 2020 hindsight cannot not reveal. Though elsewhere there will be other versions, in the US that truth is simple: this co

New exhibit in Colorado Springs displays contemporary side of Native American art

You might remember seeing a sneak peek of Anna Tsouhlarakis’s upcoming exhibit. During the artist’s residency at the Fine Arts Center a year ago, she put up two eye-catching billboards near downtown Colorado Springs. The signs were sparse in design, showing capitalized black letters over white backgrounds. One read, “I really like the way you respect Native American rights.” Tsouhlarakis, who is of Navajo descent, suspects people walking or driving by had different reactions to the billboards. “Some people might think you’re talking down to them or you’re being super sarcastic,” she said. “In an ideal world, they’d say, ‘Thanks, because I know I do that. Well done, me.’”

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