The Tony Award-winning writer Bob Martin shares his thoughts on the creative process, the Netflix-effect and why he’s not tired of writing about show business just yet
Watching THE CHINESE LADY, you get the distinct impression that you are, in fact, trapped in a box, as much an exhibit to the woman watching your gaze as she is to you. She stands on a small, white square platform with a rim that suggests Chinese carvings, the postage stamp that marks the confines of her life.
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