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Watching THE CHINESE LADY, you get the distinct impression that you are, in fact, trapped in a box, as much an exhibit to the woman watching your gaze as she is to you. She stands on a small, white square platform with a rim that suggests Chinese carvings, the postage stamp that marks the confines of her life.
The show’s thematic identity crisis notwithstanding, Campbell’s return to the stage is cause for celebration. He knows how to spin a tale that will keep you at the edge of your seat…and how to snatch that seat out from under you while you’re sitting there.