Jagged edges of the tree that remain. And you have to imagine its as large as the rest of the trees here. Thats all of that portion of the tree trunk that came crashing down into an area where there were chairs, umbrellas, people were sitting, packed here in the section of brian park on this Labor Day Weekend. We want to take you to video of what it looked like moments after the tree came down. One person was actually pinned to the ground by a portion of that tree. Ex we saw one person being taken away by ambulance, being taken away on a stretcher, and witnesses describe a chaotic scene of people running away, screaming. Some people running toward the scene to figure out what had happened. They say at one point i sounded so loud, some of them thought it may have been an explosion. We saw a woman pinned under this chair, with that branch literally on top of her. I was looking to see if she was bleeding. I didnt see any blood, but the surprise made us just realize, you never know how for
The artist Françoise Gilot (1921–2023) repeatedly advised against retrospective thinking, particularly if that exercise results in pangs of regret. Such proclamations should typically be met with skepticism: it is difficult to imagine an eye that never turns, a mind that never roams.
Charting the path of a modern master by William Corwin Gilot’s line is the first thing you notice, her tool for expressing an image. In her portraits in
Drawn from a singular collection, the Rosenberg & Co. exhibition is the first solo presentation of Françoise Gilot’s work in New York since her death in 2023. Her career spanned nearly eight decades bridging the circle of Gertrude Stein, post-war California, and late twentieth-century New York.