Olive Press News Spain
The harsh COVID-19 reality has become flamencoâs modern-day agony.
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THE temples of flamenco, the sacred tablaos, find themselves on the path to extinction as one by one they are closing their doors for good.
The harsh COVID-19 reality has become flamencoâs modern-day agony as the cavern-like rooms, which once welcomed spectators from all over the world to witness the true art form of âpuro flamencoâ with its resounding âtaconeo,â have been hauntingly silenced by the virus.
The intimate set-up, with a stage nestled between the tables and chairs of the spectators, has meant that most tablaos have been unable to reopen due to the everlasting pandemic lockdown restrictions.
updated: Apr 11 2021, 09:58 ist
They’re often in darkened, cavelike spaces, with a stage nestled among patrons’ tables and chairs. These small clubs, called tablaos, have acted as a springboard for generations of flamenco artists in Spain to launch professional careers, much in the way that many jazz musicians first came to the public’s attention in the clubs of cities like New Orleans.
But that intimate setup, designed to pack the audience close to the stage, has left most tablaos unable to reopen even after Spain lifted its most severe pandemic lockdown restrictions last summer. The situation has created an existential struggle for these cherished institutions at the heart of a national art form.
Theyâre Sacred Spaces for Spainâs Flamenco Scene. Many Wonât Survive Covid.
The intimate venues known as tablaos have mostly remained shuttered even as pandemic restrictions ease. That puts at risk a formative element of many flamenco performersâ careers.
Isabel Rodriguez, left, dancing this month at Las Tablas, a tablao in Madrid.Credit.Emilio Parra Doiztua for The New York Times
April 9, 2021, 6:12 a.m. ET
MADRID â Theyâre often in darkened, cavelike spaces, with a stage nestled among patronsâ tables and chairs. These small clubs, called tablaos, have acted as a springboard for generations of flamenco artists in Spain to launch professional careers, much in the way that many jazz musicians first came to the publicâs attention in the clubs of cities like New Orleans.