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Meet the flamenco dancer from New York who used Spain s lockdown to forge a new career in folk music

IT'S no small feat for a foreigner to make it big in Spain’s competitive world of flamenco. But that is exactly what Leilah Broukhim, a New Yorker with

Covid-19 hits Spain s Flamenco scene

updated: Apr 11 2021, 09:58 ist They’re often in darkened, cavelike spaces, with a stage nestled among patrons’ tables and chairs. These small clubs, called tablaos, have acted as a springboard for generations of flamenco artists in Spain to launch professional careers, much in the way that many jazz musicians first came to the public’s attention in the clubs of cities like New Orleans. But that intimate setup, designed to pack the audience close to the stage, has left most tablaos unable to reopen even after Spain lifted its most severe pandemic lockdown restrictions last summer. The situation has created an existential struggle for these cherished institutions at the heart of a national art form.

They re Sacred Spaces for Spain s Flamenco Scene Many Won t Survive Covid

They’re Sacred Spaces for Spain’s Flamenco Scene. Many Won’t Survive Covid. The intimate venues known as tablaos have mostly remained shuttered even as pandemic restrictions ease. That puts at risk a formative element of many flamenco performers’ careers. Isabel Rodriguez, left, dancing this month at Las Tablas, a tablao in Madrid.Credit.Emilio Parra Doiztua for The New York Times April 9, 2021, 6:12 a.m. ET MADRID — They’re often in darkened, cavelike spaces, with a stage nestled among patrons’ tables and chairs. These small clubs, called tablaos, have acted as a springboard for generations of flamenco artists in Spain to launch professional careers, much in the way that many jazz musicians first came to the public’s attention in the clubs of cities like New Orleans.

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