Robin Elise Maaya is loquacious, vibrant, intelligent, sharp-as-a-whip, and deeply talented. I briefly wrote about her “It’s A Thursday” photography show and book release last.
If you’re ready to get back to that, no worries, it’s time.
After 14 months of being closed due to COVID, Henny Penny Art Space & Cafe is open and ready for little artists and their parents.
Kids and adults can visit seven days a week between 10 a.m. and 3 p.m. to make art, hang out, eat snacks, and drink coffee. Projects change from week to week, take less than an hour to complete, and cost $8.
Past art projects include mini-animal canvasses, 3D animal cut-outs, and mobiles.
Carrie Christian, art and activity coordinator at Henny Penny, breathes a sigh of relief to be back. Christian has facilitated projects at the space for three years and has been missing her young creators. She takes pride in making a space where it’s fun and easy to host activities that are often messy and sometimes challenging to do at home.
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with the reckless blossoms of weeds.”
So ends Mary Oliver’s “The Kitten,” a heart wrenching but beautiful poem about the burial of a stillborn black cat, the titular inspiration for printmaker and illustrator Anthony TungNing Huang’s exhibition “The Reckless Blossoms of Weeds” at Cedar House Gallery.
The works in the show, Huang’s SCAD MFA illustration thesis, share some of the emotional impact of Oliver’s piece, particularly the feelings of isolation or solitude. From there, however, he diverges from the tragedy presented in “The Kitten” to explore a secondary theme he found equally powerful in her compositions.