Find it myself i find it with the audience. Rose continuing with shakespeare this evening we talk to stephen fry who is also in richard the third and 27th night. We know in 1602 when it was performed indoors, in fact, in the middle temple, one of the legal halls, medieval halls that the lawyers used, and we know what the hall looks like because it hasnt changed to this day and we know, of course, that this happened a lot, because english winter is pretty famous, the summers are pretty famous but during the hours of daylight you could use it and the outdoor theatre very happily but the whole other half of the year to keep your actors, you know, from starvation, so you go to lawyers halls, cambridge colleges, the houses of nobility and you played your plays there so you had to cut them and this new one was clearly written for an indoor theatre, you can sort of tell. Rose we conclude this evening with the great disrie lynnist annesophie mutter. Part of the repertoire we will perform satur
From our studios in new york city, this is charlie rose. Mark rollins is here. He won a tony award mark ry lance is here. He is one to 20 wars. He is back on broadway laying the leads in two shakespeare plays. He is king richard and richard the third and olivier and 12th twelfthlivia in night. Inprovided a master class shakespearean acting. I am pleased to have him at the table for the first time. Welcome. Thanks, charlie. How did this happen . These two plays coming here for you to show your stuff . How did it happen . It took a few years. The set and clothing designers and the musical director and the kind of core players, people that worked with me a lot when i was artistic director of the globe. In my tenure is finished, i immediately set about wanting to suppose, carrying on the core workable we did which i hope was a rigorous attempt to explore what i call original playing up practices. But we know from shakespeares date. What we know from shakespeares day. It took a long time. W
From our studios in new york city, this is charlie rose. Mark rylance is here. He has won 2 tony awards. He is back on broadway playing the leads in two shakespeare plays. He is king richard in richard the third and olivia in Twelfth Night. Is provided a master class in shakespearean acting. I am pleased to have him at the table for the first time. Welcome. Thanks, charlie. What a nice tribute. How did this happen . These two plays coming here for you to show your stuff . How did it happen . It took a few years. The set and clothing designers and the musical director and the kind of core players, people that worked with me a lot when i was artistic director of the globe. When my time finished, i immediately set about wanting to suppose, carrying on the core workable we did which i hope was a rigorous attempt to explore what i call original playing up practices. What we know from shakespeares day. It took a long time. We had to figure a way to mount two productions that would be popular
Lets go to the movies. For more than half a century, these words have meant an invitation to magic. The magic of moving pictures. The spinning of dreams in a darkened theater. For three decades, the dreams were silent ones. The magic of movement alone. Then suddenly, on a night in october 1927, a voice was heard from the screen. Proclaiming a fabulous era in hollywood. The night the movies became the talkies with the premiere of a jazz singer and the voice of al jolson. Its interesting the first sound Motion Picture was a musical in which al jolson only sang and the reason for that is they said, well, who wants to hear actors talk. Most of the running time its a silent film using titles with an orchestra score. Every once in a while the orchestra stops and jolson pops up and starts singing. Wonderful tales are always hard to find some folks have one some folks have none jolson always talked to his audience. It was one of the things he was known for was his patter. And specifically, his
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