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like for grown-ups. it would feature early mike judge cartoons. bill plimpton cartoons. okay, but i m going to set the building on fire. lupo, the butcher, a gory cartoon. spike & mike had taboo things you wouldn t see in normal cartoons, like gore, violence, sex. these animators had been let off the leash, so those early festivals were critical. before the internet, they were critical, they were connecting people with an audience that they otherwise wouldn t have had. all of us who are working in that business, we would try to slip something in that s funny or pitch a show that was funny. so when new opportunities came along to work on something that we thought could blossom into actually a funny animated show we were always eager to jump at that. there we are. it may be on a lousy channel, but the simpsons are on tv.
they re all succeeding. it s all happening at the same time that cable is taking off. and now the studios were wising up. well, if we get one great nut to run a show, and they really know what they re doing, it could work out. we got out of school. no more school today. we got out of school. oh, you guys, my eyes. if you haven t yet heard about south park, you re about to. critics have praised the show as brilliantly funny, but many see only a lewd, offensive cartoon unsuitable for children. it was the next step in the evolution of animation. the simpsons opened the door, and south park kicked the door down. children, i m glad you re here. i call them chefs chocolate these are good. i love your salted chocolate south park like the simpsons pushed the culture. challenged the culture. i think adults connected to it because of that reason. they appreciated the satire and
and i think it s because it s out of shape. doesn t a manatee look like a guest on the ricki lake show. what you ve got to do is get yourself an education and a job. i don t know what you re doing to talk about. you re fat, you got to go to weight watchers. i have a layer of blubber to keep me warm in the water. jonathan katz created this show. he would interview comedians in squiggle vision. i thought the manatee was such a weird animal, and so i came up with some jokes and i had this voice that went with it. it lent itself to this dr. katz bit. there was some bits that were dr. katz because they were visu visual. in fact, i thought the animation was competing with the jokes. it took me a while to realize that we were a team. people asked, how do you get into voice acting? he says do 15 years of standup
animator sensibility, make them funny and whacky for the sake of funny and whacky. can mighty mouse save the day or at least saturday morning for network television? here i come to save the day oh, no, not this show. the new adventures of mighty mouse came on, and it was totally disregarding the things that you weren t supposed to do. and it s like, oh, there s something new happening in animati animation. there s something going on here. the mighty mouse show was fast paced, funny, silly, it had weird characters in it, little segments that almost made no sense, the non sequitur kind of humor, no one was doing that kind of stuff at the time. i haven t seen this much hair since brooke shields trimmed her eyebrows. the series had controversial elements, one of the best known being the supposed sniffing of cocaine. i know someone else like
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