It never occurred to Anaïs Mitchell, the Tony-winning composer of "Hadestown," that the little show she birthed in Vermont 17 years ago would make it to Broadway, let alone into
This week’s Stage Whisperer laments the impending closure of ‘Shucked,’ comments on the end of a theater-development pipeline, and points out striking similarities between the dialogue in ‘Gutenberg’ and ‘Oh, Hello.’
Hadestown comes to the Library of Congress to make music and history washingtonpost.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from washingtonpost.com Daily Mail and Mail on Sunday newspapers.
The late Stephen Sondheim’s upcoming final musical, “Here We Are,” is the biggest mystery of the theater season. Little is known by audiences about this should-be major cultural event, but one of its many secrets is especially a head scratcher. “Here We Are,” according to sources familiar with the book and score, has hardly any songs in its second act.