World. Welcome to hannity. We are once again. We sean t are monitoring the ss of New York City tonight Wheree Scoresstre pretty hateful, antiamerican, antiisraeli protesterses of have beenl day, demonstrating all day. Many of these far left agitator mans. On your screen, you have probably already seen it probably better arrested by the nypd. But with no bail law thes, they were probably let go without any criminal charges. Now, of course the manhattan district attorney, alvin bragg, hes busy with way more important matters, like an eightyearold misdemeanor. While pass the statute of limitations surrounding the alleged Missiles Labelingmib of a nondisclosure agreement. Now, there o are people pledging allegiance to hamas on the streets of new yorkce t and other places around the country. But according to alvin bragg accordin, inaudib while possibly mislabeling a Business Expense from, oh eight years ago, is way more important, a far more pressing issue. So donald trump, he continues to
this week, we re revisiting the tech that we ve seen used in and around the world of art. and the first question i have is, what is lara thinking right now? do i like it? does it make me feel happy, sad? ammie s gone to town to test the newest, oldest cameras we ve seen for a while. paul heads to florence to see how tech is revealing a 17th century artwork. and we re on the stage helping musicians get used to what it feels like to get a standing ovation, or a slow clap. how did it do that? the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here to see how our brains react to what we re seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it s time for a way of quantifying that. so we re just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be
the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here to see how our brains react to what we re seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it s time for a way of quantifying that. so we re just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be used as a meditation device, has been repurposed to translate brain activity into a real time 3d visualisation. and this has four eeg sensors. that s right, four sensors that are on your forehead and picking up the electromagnetic activity off your brain. 0k. and what does that mean its going to learn from me? it s going to take this raw data right off your headset. 0ur set up processes it in lots of different ways, which kind of indicate sort of what your brain s doing when you re looking
from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here to see how our brains react to what we re seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it s time for a way of quantifying that. so we re just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be used as a meditation device, has been repurposed to translate brain activity into a real time 3d visualisation. and this has four eeg sensors. that s right, four sensors that are on your forehead and picking up the electromagnetic activity off your brain. 0k. and what does that mean it s going to learn from me? it s going to take this raw data right off your headset. 0ur set up processes it in lots of different ways, which kind of indicate sort of what your brain s doing when you re looking at the art. when the brain recognises - somet
this enabled the restorers to choose the right materials and methods to use in the restoration. the samples were analysed under a powerful microscope, using a technique called ftir spectroscopy. this is one of the samples that the restorer had taken from the painting. it s less than half a millimetre. it s very, very tiny. the microscope reads the sample by firing radiation through it. some is absorbed by the material, and the rest, which passes through or reflects back, is recorded. this produces what s known as a spectrum. different molecules produce different spectra, which researchers can use to identify what the samples are made of. the technology has produced cutting edge instruments that are able to collect more than 1,000 spectra in a single shot, in one second. what is very important is to try to take as small samples as we can, because,