The enigmatic masterwork of Tchaikovsky’s final days remains open to a wide range of interpretations. Andrew Farach‑Colton hears how it has been approached on recordings dating back almost a century
Harpist Yolanda Kondonassis was inspired to establish the Maine Coast Harp Institute having spent many fulfilling summers studying harp at the former Salzedo Harp Colony in Camden and playing at the Monteux Music School and Festival.
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