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Shribman: This year, if you re reading essays, you re lucky enough

Shribman: This year, if you re reading essays, you re lucky enough
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SHRIBMAN: This year, if you re reading essays, you re lucky enough | Guest Commentaries

SHRIBMAN: This year, if you re reading essays, you re lucky enough | Guest Commentaries
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Shribman: This year, if you re reading essays you re lucky enough

Shribman: This year, if you re reading essays you re lucky enough
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This year, if you re reading essays, you re lucky enough

This year, if you re reading essays, you re lucky enough
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The Glorious American Essay pushes the boundaries of form

By Steve Donoghue Correspondent When it comes to essay anthologies, there’s a tradition so iron-clad and long-standing that it’s remarkably daring of editor Phillip Lopate, in the foreword of “The Glorious American Essay: One Hundred Essays from Colonial Times to the Present,” to natter for 16 whole pages before he gets around to asking “But wait: what is an essay?” This question is practically constitutionally required when writing about essays. In a narrative tradition going all the way back through Montaigne to Plutarch, editors, publishers, and a whole miscellany of intellectuals have automatically raised Deep Existential Questions in their introductions. The essay form has so many fundamental identity problems you’d expect it to wear Goth eyeliner and moodily refuse to leave its room for family meals.

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