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Question of the Month: Childhood Memories

Question of the Month: Childhood Memories
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Spotlight: Sam Morrow, Peter Parcek – WRTC FM

Spotlight: Sam Morrow, Peter Parcek – WRTC FM
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Quotes of the year from Vance Gilbert, John Funkhouser, Martin Earle and others

Concert halls are dark. Big arenas and small clubs are closed. Outdoor venues canceled their usual summer series. This hasn’t been a great year for live music. But that didn’t keep local musicians from staging streamed shows in their living rooms or from releasing new recordings. And throughout it all, they still loved talking about music. To mark the end of 2020, here’s a selection of quotes from some New England-based players about their personal – some of them very personal – experiences with music and performance. Vance Gilbert on audiences “I’ve always been made for the stage. I was a gregarious kid. I loved performing and being in front of people. All this other stuff – the songwriting, the guitar playing, the singing – came later. Thar was window dressing to, in a lot of ways, a very insecure kid who was happier being seen than not being seen. As a kid I made my own hand puppets and put on shows for myself. I had friends but because my brother was 10 years

KMUW s Best Music of 2020

KMUW s Best Music of 2020
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Crossroads Best Releases Of 2020

• Dec 14, 2020 Despite a global pandemic, there continued to be a steady stream of global sounds throughout 2020. And if we couldn’t travel literally, perhaps more of us will be inclined to do so musically and discover some of the great work that musicians from all around the world have to offer. This year you could travel the Silk Road from one end with the Chinese band Manhu and Mongolian ensemble Khusugtun to the other with Turkish oud player Mehmet Polat or explore the whole route with 3,14 (whose 2020 release takes its title from the scientific name for the silk worm.) It’s hard to resist almost any Afrobeat, and there were quite a number of choices this year, but especially so if you go to the source (Nigeria’s Bantu) or one of its more unlikely outposts (Lithuania’s Ojibo Afrobeat).

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