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Cairns Performing Arts Centre wins top State award

Antelodic defy expectations on anagrammatic trip to Iceland

Antelodic defy expectations on anagrammatic trip to Iceland We’re sorry, this service is currently unavailable. Please try again later. Dismiss Save Normal text size Kindlehill Performance Amphitheatre, April 23 Reviewed by Credit:David Brazil Sometimes the harmonies reminded you of a Welsh choir, or perhaps a solemn brass band, and then a groove flirted with going bossa nova, but decided to stay chaste. While subtly evading expectations, Robbie Melville loads his music with a restrained melancholy conveying innocence rather than knowingness, the upshot being an unusual emotional ambiguity blending resignation and contentment. This mix of moods and feelings is rare in any art, because the sadness was untainted by bitterness. Nor did the restraint tip the music into tedium, because the harmonic language was so intriguing and the flurries of improvisation so pithily used by the players.

Antelodic defy expectations on anagrammatic trip to Iceland

Antelodic defy expectations on anagrammatic trip to Iceland
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Cairns Performing Arts Centre / Cox Architecture + CA Architects

© Andrew Watson The building is part of a Cultural Precinct with Munro Martin Parklands which combined delivers a main Proscenium Arch theatre of 950 seats, a 400 seat Flexible Studio, and an external Performance Amphitheatre with a capacity for 3,000. The project reflects a commitment to both residents and the broader region with links to the Torres Strait and the Islands of the Pacific Rim. © Andrew Watson Integrated indigenous Art was commissioned from distant Erub Island in the Torres Strait with the unique recycling of found nylon fishing nets. Performance is integral to indigenous cultures in North Queensland and CPAC provides a support network for emerging talent, vocations in drama, and for touring performances.

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