Ansel’s work demands to be considered on its own, independent of any pictorial point of departure. Why this is the case reflects a female artist’s relationship to tradition—one to which critics might say she “owes” so much. In fact, Ansel is dependent on no one but herself, and these splendid images owe nothing to anyone, especially to no man. They are exuberant, passionate, and reaffirm the sheer joy of abstract painting.
Washington, DC (PRWEB) November 17, 2022 Dr. Patricia Akhimie, Director of the RaceB4Race Mentorship Network and Associate Professor of English at Rutgers
Scholars have a mantra: Shakespeare is universal and his works are for everyone. But for Black actors and audiences, does an implicit whiteness in the Bard's canon hinder access and identification?