NFL pioneer s boyhood home may become historic San Antonio landmark, despite owner s opposition
FacebookTwitterEmail
1of5
The 1921 Craftsman bungalow house at 1206 W. Agarita in Beacon Hill has been saved from demolition and may be declared a local historic landmark in the spring.Bob Owen /San Antonio Express-NewsShow MoreShow Less
2of5
Damon Tassos poses for a picture in front of his boyhood home at 1206 W. Agarita St. in about 1945, shortly before he began playing for the Detroit Lions. The city of San Antonio has initiated a process to declare the house a historic landmark, in part due to its connection with Tassos and his family, which contributed to the local Greek American community.Courtesy photo /Show MoreShow Less
california suge was trying to expand death row all over the country. but who controlled most of the music in the east at that time? bad boy. papi, fab five freddie s here. oh, what up? what s going on? everything. it s all good in the hood. sean puffy combs founded bad boy and biggie smalls was his marquee artist. they modeled their sound on death row in a lot of ways, kind of a gangster rap for the east coast. jump in the rover and come over tell your friends in the gsv i got the chronic by the i love it when you call me big papa throw your hands in the air if yous a true playa i make music about what i know. know what i m saying? if i worked in mcdonald s, i d have made rhymes about big macs and fries and stuff like that. you know what i m saying? brooklyn, i see hustling, i see killing, i see gambling, i see girls, i see cars. that s what i rap about, what s in my environment.
there, death row. give me that ball beat from dre let me serenade the streets of l.a. from oakland to sac town the bay area and back down cali is where they put their mac down california suge was trying to expand death row all over the country. but who controlled most of the music in the east at that time? bad boy. papi, fab five freddie s here. oh, what up? what s going on? everything. it s all good in the hood. sean puffy combs founded bad boy and biggie smalls was his marquee artist. they modeled their sound on death row in a lot of ways, kind of a gangster rap for the east coast. jump in the rover and come over tell your friends in the gsv i got the chronic by the i love it when you call me big papa throw your hands in the air if yous a true playa i make music about what i know. know what i m saying? if i worked in mcdonald s, i d have made rhymes about big macs and fries and stuff like that. you know what i m saying? brooklyn, i see
death row all over the country. but who controlled most of the music in the east at that time? bad boy. papi, fab five freddie s here. oh, what up? what s going on? everything. it s all good in the hood. sean puffy combs founded bad boy and biggie smalls was his marquee artist. they modeled their sound on death row in a lot of ways, kind of a gangster rap for the east coast. jump in the rover and come over tell your friends in the gsv i got the chronic by the i love it when you call me big papa throw your hands in the air if yous a true playa
music in the east at that time? bad boy. papi, fab five freddie s here. oh, what up? what s going on? everything. it s all good in the hood. sean puffy combs founded bad boy and biggie smalls was his marquee artist. they modeled their sound on death row in a lot of ways, kind of a gangster rap for the east coast. jump in the rover and come over tell your friends in the gsv i got the chronic by the i love it when you call me big papa throw your hands in the air if yous a true playa i make music about what i know. know what i m saying? if i worked in mcdonald s, i d have made rhymes about big macs and fries and stuff like that. you know what i m saying? brooklyn, i see hustling, i see killing, i see gambling, i see girls, i see cars. that s what i rap about, what s in my environment. and the winner is notorious b.i.g.